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Cited in H. Brouwer, Bona Dea: The Sources and a Description of the Cult Brill, , pp. Vahlen, Ennianae Poesis Reliquiae Leipzig, , 2nd ed.
Ennius's list appears in poetic form, and the word order may be dictated by the metrical constraints of dactylic hexameter.
Woodard, Indo-European Sacred Space: Vedic and Roman Cult p. Roscher , Ausführliches Lexikon der griechischen und römischen Mythologie Leipzig: Teubner, —94 , vol.
At Fasti 2. See discussion of this deity by Matthew Robinson, A Commentary on Ovid's Fasti , Book 2 Oxford University Press, , pp.
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Roman Gods: Mercury Mercury was the messenger of the gods. He was also the Roman god of finance, gymnasts, thieves, gamblers, merchants and commerce.
He had a temple and a sacred fount near the Porta Capena. A famous temple was erected to Mercury near the Circus Maximus. Roman Gods were publicly worshipped at the Circus Maximus.
Roman Gods: Bacchus Bacchus was the Roman god of wine and merry-making and the son of the Jupiter and Semele. The name of his festival was 'Bacchanalia' which held between March 15 and 16 and been used to refer to any forms of drunken revelry.
Bacchanalia were held in in the grove of Simila, near the Aventine Hill in Rome. The Latin word 'orgia' originally meant "secret rites" and from which the modern word 'orgy' is derived.
Roman Gods: Minerva Minerva was the name of the goddess of wisdom, the daughter of Jupiter. Her symbols and weapons reflected her strategic approach and her preparation for war and were symbols of victory.
Minerva was a member of the Capitoline Triad which consisted of three major gods - Jupiter, Juno and Minerva. The most important temples in Rome were dedicated to the triad of gods and situated on the Capitoline Hill.
Roman Gods: Ceres Ceres was the goddess of agriculture. The sister of Vesta, Pluto, Neptune and Jupiter. The mother of Proserpina by Jupiter who was abducted by Pluto and carried off into the Underworld.
Her name originates from the Latin word 'Cerealis' meaning "of grain" from which we derive the modern word 'cereal'. Roman Gods: Vulcan Vulcan was the name of the Roman god of fire and metal-working and the son of Jupiter and Juno.
His name derives from the Latin word 'Vulcanus' meaning "fire, flames, volcano". Vulcan was highly honored by the Romans who debated the most important issues of the republic in his temple.
The high status enjoyed by Jupiter, often perceived as the equivalent of Greek Zeus , was mirrored by the impressive Temple of Jupiter erected on the Capitoline Hill possibly by circa BC.
On the other hand, as we fleetingly mentioned before, Jupiter was also regarded as the patron of politics, oaths, treaties, laws, and possibly even sports — since the chief games of Ludi Romani , were observed in his honor.
Regarded as the wife of Jupiter — the chief among the Roman gods, Juno was thus the queen of the ancient Roman deities, who was given the title of Regina.
In the mythological genealogy, she was also the daughter of Saturn which in turn also made her the sister of Jupiter and the mother of various other Roman gods like Mars , Vulcan , and Juventas.
Now when it comes to her attributes, Juno has been often likened to Hera , the queen of the ancient Greek pantheon of gods. To that end, the first of foremost role of Juno was that of the protector of the state, and by extension of that role, Juno was also perceived as a deity who presided over all the matters of women, ranging from childbirth to legal statuses.
Interestingly enough, she was often depicted wearing a goatskin while carrying a spear and shield, thus also signifying the possible influence of Athena.
Regarded as the brother of Jupiter , Neptune Neptunus in Latin was the god of both freshwater and the sea in the ancient Roman pantheon.
Suffice it to say, inspired by these later associations, Neptune was often depicted like Poseidon with his characteristic trident, especially in the artworks of North Africa.
During the occasion, when water levels were at their scarcest, people were devoted to the conservation and draining of superficial waters, while ritually participating in drinking spring waters and wine.
Pertaining to this episode, Minerva was also considered as the patron of war, more specifically strategic warfare — though this attribute was possibly a later addition in 2nd century BC, which made Minera the equivalent of the Greek goddess Athena.
However, when it comes to history, most scholars agree that like many Roman gods and goddesses, Minerva had older origins. This festival, while marking the starting of the campaign season for the Roman army, was known for its four days of gladiatorial contests.
Essentially, Minerva epitomized the aspects of both warfare and its consequences — including possible peace, as opposed to the more direct allusion to war like in the case of Athena.
However, in spite of her more complex attributes, Minerva was depicted as being draped in her simple attire in the form of a chiton an ancient Greek garment , while wearing a helmet and carrying a spear and a shield.
Considered as the second in importance after Jupiter in the pantheon of Roman gods, Mars was the deity of war and possibly agriculture.
And while the aspect of military conflict often brings out the inevitable comparison with his ancient Greek equivalent Ares , Mars was arguably far more complex when it came to his martial attributes.
In essence, as opposed to the sheer impulsiveness and chaotic nature of warfare, Mars was perceived as a more composed and judicious entity who took up the role of the protector of Rome and its way of life.
He was also venerated as the defender of the city and state borders, and all these aspects suggest how the embodiment of warfare was central to the collective consciousness of the Romans.
The mythical narrative rather reinforced the association of practical war to the early Romans , with Mars being portrayed as the father of the legendary founders of Rome — Romulus and Remus.
Wood used to be the main construction material, and heavily ornamented wooden objects were common in old houses.
Linen was the most common material for clothing, combined with wool during the winter or colder periods. These are embroidered with traditional motifs that vary from region to region.
Black is the most common colour used, but red and blue are predominant in certain areas. Women also wore a white skirt and a shirt with a vest.
Music and dance represent a lively part of the Romanian folklore and there are a great variety of musical genres and dances.
Party music is very lively and shows both Balkan and Hungarian influences. Sentimental music, however, is the most valued, and Romanians consider their doina a sad song either about one's home or about love, composed like an epic ballad unique in the world.
Romanians have had, from time immemorial, a myriad of customs, tales and poems about love, faith, kings, princesses, and witches.
Ethnologists, poets, writers and historians have tried in recent centuries to collect and to preserve tales, poems, ballads and have tried to describe as well as possible the customs and habits related to different events and times of year.
Other customs are presumably of pre-Christian pagan origin, like the Paparuda rain enchanting custom in the summer, or the masked folk theatre or Ursul the bear and Capra the goat in winter.
Another prolific editor of folk tales was Petre Ispirescu , who, in the 19th century published an impressive number of volumes containing a large number of short novels and tales from popular mythology.
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